GUPTILL RENDERING IN PEN AND INK PDF

The examples included are mainly on still life, architecture and landscapes. Rendering In Pen And Ink Guptill was a freelance specialist in design, freelance advertising artist, and advertising agency consultant from to Shelley rated it liked it May 01, Also the milieu of commercial illustration and architectural rendering in general is vastly different i. Your support runs this blog. Pe Graphic Books They are our sponsor! I am glad to see it is still going strong.

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Author Charley Parker 17 Comments Pen and ink is a medium with a long history, but despite some modern revival in interest as evidenced by the current internet-wide exercise of Inktober , its importance has faded from its time as a major drawing medium for Renaissance and Baroque masters, and its strong popularity as a medium for illustration during the late 19th and early 20th centuries.

Pen and ink is a medium with unique characteristics — in linearity, texture and tone — that have a visual charm shared only with similar techniques in printmaking. Guptill The original version of the book was published in as Drawing with Pen and Ink , and versions of that volume are still available. The edition titled Rendering in Pen and Ink was created in , leaving out a few of the original illustrations, adding many others and condensing the area devoted to text while enlarging that given to images.

This is a from-the-ground up treatise on drawing with pen and ink, starting with materials, basic marks and methods of making tones — hatching, cross-hatching, stipple and freeform textures — and going on through methods of rendering trees and landscapes, architecture, still life, people and more.

Much emphasis is given to making and controlling tones and suggesting light and shade, something that those learning pen and ink often struggle with, as well as conveying the textures of natural and artificial surfaces.

Many of the illustrations, particular those explaining the basics of ink drawing and rendering, are by Arthur Guptill himself, and he is no slouch at pen drawing.

The book is also profusely illustrated with plates by some of the best pen and ink artists from the turn of the 20th century, a high point for the use of pen and ink in books and magazines. For my money, a single chapter would be worth that!

Rendering in Pen and Ink is highly regarded as a standard must-have book among illustrators and comics artists, but is less well known to other contemporary artists. There are a lot of books available on drawing in pen and ink, but if you have any interest in working in, and hopefully mastering the medium, this one should be on your shelf.

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Rendering in Pen and Ink

This is a book designed to delight and instruct anyone who draws with pen and ink, from the professional artist to the amateur and hobbyist. It is of particular interest to architects, interior designers, landscape architects, industrial designers, illustrators, and renderers. Contents include a review of materials and tools of rendering; handling the pen and building tones; value studies; kinds of outline and their uses; drawing objects in light and shade; handling groups of objects; basic principles of composition; using photographs, study of the work of well-known artists; on-the-spot sketching; representing trees and other landscape features; drawing architectural details; methods of architectural rendering; examination of outstanding examples of architectural rendering; solving perspective and other rendering problems; handling interiors and their accessories; and finally, special methods of working with pen including its use in combination with other media. Griggs, Samuel V. Chamberlain, Louis C. Price, Robert Lockwood, Ernest C. Peixotto, Harry C.

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GUPTILL RENDERING IN PEN AND INK PDF

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